In Her Majesty´s UK english for your reading comfort:
Nazca – Out (Geoglyph)
Nazca’s third album is a refreshing surprise in the torrent of mediocre predictable output of the hipster indie genre.
This record, machined long and hard in the Fenno-Norwegian group’s own studio might not be smoothest, but the fact that somebody still makes and publishes this kind of music makes you forget small imperfections.This kind of artsy dark pop, isn’t it meant to be hazy, live-on-the-edge, cave-musty and tasting like earth?
Out offers variations of styles and feelings from minimalistic avant-garde via darkwave to surf. This might be a collection of desk-top-drawer jewelry of many years combined without much censorship — but why restrict yourself when you have this much to offer?
Associations rise: Deine Lakeien (Attitude), Death in June, Nick Cave – however, Nazca sounds like none but themselves. Their distinguished, unique sound features two guitars, one of them 12-string, soft drums, glockenspiel, synths and bass.
Karstein Volle’s voice is dark and grandiose. What might seem puzzling are the loud vocals, as well as the shortness of some songs. The songs end just when you get the hold of the feeling/flow. The clever artwork and interesting texts are a big plus. There are plenty of beautiful and surprising songs on the album, go listen to Instinct for example.
(8/10) (Anna Lahokoski)
Taken from Sue #6/2010